Tilda Swinton

Last updated on 2017-10-16T18:06+0300.

About this image
License: UNKNOWN

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Quotes... Extracted quotes from

Tilda Swinton says : “It’s the bedrock of the film,” External link

independent-UK Wednesday, October 20, 2021 8:59:00 AM EAT

Tilda Swinton says : “Any young kid particularly – or anybody who loves this film – I hope they do use that reading list at the end,” External link

independent-UK Wednesday, October 20, 2021 8:59:00 AM EAT

Tilda Swinton says : “I’ve had the privilege several times in my life of stepping into a frame the signature of which I already know very well—Béla Tarr’s, for example, or Wes Anderson’s or Apichatpong Weerasethakul’s—and it’s a trip. It’s a piece of imaginative work to get over the sense of virtual reality... In Pedro’s case, his colours, his environments, his gestures, his people are so recognisable, so particular, that I found it a special leap of faith to bring myself over the threshold,” External link

news-yahoo Monday, March 15, 2021 9:05:00 AM EAT

Tilda Swinton says : “I haven’t worked in the theatre for over two decades and have no real understanding of or investment in its mechanisms, to be honest. But I never felt the pull of a theatrical context in this film. The entire landscape of the piece is bound up in the atmosphere of a crucial vacuum, a lack of the attention of an audience, the very thing on which theatre relies. Quite to the contrary, this film always felt to me exceptionally related to cinema: its reference to self-reflection and the contained discipline of its life within each frame. In terms of live performance, my sense was more that Pedro was touching the pulse of dance—or even opera or the great art form of the torch song—rather than that of the theatre,” External link

news-yahoo Monday, March 15, 2021 9:05:00 AM EAT

Tilda Swinton recalls : “The first film of Pedro’s I saw was Women on the Verge of a Nervous Breakdown. I remember seeing Women on the Verge of a Nervous Breakdown and feeling this enormous sense of relief. Here was a filmmaker making films about Europe and about people and a milieu that I recognised entirely—and at the same time, a contemporary artist whose reference to the cultural landscape of cinema makes him heir to so many great directors through film history, especially those great masters who have focused their narratives and their atmosphere on the lives and passions of women,” External link

news-yahoo Monday, March 15, 2021 9:05:00 AM EAT

Tilda Swinton says : “I’ve had the privilege several times in my life of stepping into a frame the signature of which I already know very well—Béla Tarr’s, for example, or Wes Anderson’s or Apichatpong Weerasethakul’s—and it’s a trip. It’s a piece of imaginative work to get over the sense of virtual reality... In Pedro’s case, his colours, his environments, his gestures, his people are so recognisable, so particular, that I found it a special leap of faith to bring myself over the threshold,” External link

news-yahoo Sunday, March 14, 2021 7:28:00 PM EAT

Tilda Swinton says : “I haven’t worked in the theatre for over two decades and have no real understanding of or investment in its mechanisms, to be honest. But I never felt the pull of a theatrical context in this film. The entire landscape of the piece is bound up in the atmosphere of a crucial vacuum, a lack of the attention of an audience, the very thing on which theatre relies. Quite to the contrary, this film always felt to me exceptionally related to cinema: its reference to self-reflection and the contained discipline of its life within each frame. In terms of live performance, my sense was more that Pedro was touching the pulse of dance—or even opera or the great art form of the torch song—rather than that of the theatre,” External link

news-yahoo Sunday, March 14, 2021 7:28:00 PM EAT

Tilda Swinton recalls : “The first film of Pedro’s I saw was Women on the Verge of a Nervous Breakdown. I remember seeing Women on the Verge of a Nervous Breakdown and feeling this enormous sense of relief. Here was a filmmaker making films about Europe and about people and a milieu that I recognised entirely—and at the same time, a contemporary artist whose reference to the cultural landscape of cinema makes him heir to so many great directors through film history, especially those great masters who have focused their narratives and their atmosphere on the lives and passions of women,” External link

news-yahoo Sunday, March 14, 2021 7:28:00 PM EAT

Tilda Swinton says : “I’ve had the privilege several times in my life of stepping into a frame the signature of which I already know very well—Béla Tarr’s, for example, or Wes Anderson’s or Apichatpong Weerasethakul’s—and it’s a trip. It’s a piece of imaginative work to get over the sense of virtual reality... In Pedro’s case, his colours, his environments, his gestures, his people are so recognisable, so particular, that I found it a special leap of faith to bring myself over the threshold,” External link

thedailybeast Sunday, March 14, 2021 5:17:00 PM EAT

Tilda Swinton says : “I haven’t worked in the theatre for over two decades and have no real understanding of or investment in its mechanisms, to be honest. But I never felt the pull of a theatrical context in this film. The entire landscape of the piece is bound up in the atmosphere of a crucial vacuum, a lack of the attention of an audience, the very thing on which theatre relies. Quite to the contrary, this film always felt to me exceptionally related to cinema: its reference to self-reflection and the contained discipline of its life within each frame. In terms of live performance, my sense was more that Pedro was touching the pulse of dance—or even opera or the great art form of the torch song—rather than that of the theatre,” External link

thedailybeast Sunday, March 14, 2021 5:17:00 PM EAT

Tilda Swinton recalls : “The first film of Pedro’s I saw was Women on the Verge of a Nervous Breakdown . I remember seeing Women on the Verge of a Nervous Breakdown and feeling this enormous sense of relief. Here was a filmmaker making films about Europe and about people and a milieu that I recognised entirely—and at the same time, a contemporary artist whose reference to the cultural landscape of cinema makes him heir to so many great directors through film history, especially those great masters who have focused their narratives and their atmosphere on the lives and passions of women,” “Pedro was putting onto a global screen a sensibility and a vernacular which was close to the underground world I was living in with Derek Jarman in London in the ’80s and early ’90s. He was always our Spanish cousin, very dear and greatly cherished as a fellow traveller with brilliant moves” External link

thedailybeast Sunday, March 14, 2021 5:17:00 PM EAT

Tilda Swinton says : “I’ve had the privilege several times in my life of stepping into a frame the signature of which I already know very well—Béla Tarr’s, for example, or Wes Anderson’s or Apichatpong Weerasethakul’s—and it’s a trip. It’s a piece of imaginative work to get over the sense of virtual reality... In Pedro’s case, his colours, his environments, his gestures, his people are so recognisable, so particular, that I found it a special leap of faith to bring myself over the threshold,” External link

news-yahoo Sunday, March 14, 2021 5:14:00 PM EAT

Tilda Swinton says : “I haven’t worked in the theatre for over two decades and have no real understanding of or investment in its mechanisms, to be honest. But I never felt the pull of a theatrical context in this film. The entire landscape of the piece is bound up in the atmosphere of a crucial vacuum, a lack of the attention of an audience, the very thing on which theatre relies. Quite to the contrary, this film always felt to me exceptionally related to cinema: its reference to self-reflection and the contained discipline of its life within each frame. In terms of live performance, my sense was more that Pedro was touching the pulse of dance—or even opera or the great art form of the torch song—rather than that of the theatre,” External link

news-yahoo Sunday, March 14, 2021 5:14:00 PM EAT

Tilda Swinton recalls : “The first film of Pedro’s I saw was Women on the Verge of a Nervous Breakdown. I remember seeing Women on the Verge of a Nervous Breakdown and feeling this enormous sense of relief. Here was a filmmaker making films about Europe and about people and a milieu that I recognised entirely—and at the same time, a contemporary artist whose reference to the cultural landscape of cinema makes him heir to so many great directors through film history, especially those great masters who have focused their narratives and their atmosphere on the lives and passions of women,” External link

news-yahoo Sunday, March 14, 2021 5:14:00 PM EAT

Tilda Swinton says : “I’ve had the privilege several times in my life of stepping into a frame the signature of which I already know very well—Béla Tarr’s, for example, or Wes Anderson’s or Apichatpong Weerasethakul’s—and it’s a trip. It’s a piece of imaginative work to get over the sense of virtual reality... In Pedro’s case, his colours, his environments, his gestures, his people are so recognisable, so particular, that I found it a special leap of faith to bring myself over the threshold,” External link

news-yahoo Sunday, March 14, 2021 5:14:00 PM EAT

Tilda Swinton says : “I haven’t worked in the theatre for over two decades and have no real understanding of or investment in its mechanisms, to be honest. But I never felt the pull of a theatrical context in this film. The entire landscape of the piece is bound up in the atmosphere of a crucial vacuum, a lack of the attention of an audience, the very thing on which theatre relies. Quite to the contrary, this film always felt to me exceptionally related to cinema: its reference to self-reflection and the contained discipline of its life within each frame. In terms of live performance, my sense was more that Pedro was touching the pulse of dance—or even opera or the great art form of the torch song—rather than that of the theatre,” External link

news-yahoo Sunday, March 14, 2021 5:14:00 PM EAT

Tilda Swinton recalls : “The first film of Pedro’s I saw was Women on the Verge of a Nervous Breakdown. I remember seeing Women on the Verge of a Nervous Breakdown and feeling this enormous sense of relief. Here was a filmmaker making films about Europe and about people and a milieu that I recognised entirely—and at the same time, a contemporary artist whose reference to the cultural landscape of cinema makes him heir to so many great directors through film history, especially those great masters who have focused their narratives and their atmosphere on the lives and passions of women,” External link

news-yahoo Sunday, March 14, 2021 5:14:00 PM EAT

Tilda Swinton told : "I was just looking for my queer circus, and I found it. I'm very clear that queer is actually, for me anyway, to do with sensibility. And having found it, it's my world," External link

HindustanTimes Wednesday, January 20, 2021 5:44:00 PM EAT

Tilda Swinton told : “I was just looking for my queer circus, and I found it. I’m very clear that queer is actually, for me anyway, to do with sensibility. And having found it, it’s my world,” External link

news18 Wednesday, January 13, 2021 3:09:00 PM EAT

Tilda Swinton wrote : “Fiercely familial, gloriously silly, unfailingly kind. Diamond,” External link

forbes Tuesday, September 29, 2020 11:24:00 PM EAT

Tilda Swinton said : "Cinema is my happy place, it's my true motherland," External link

modernghana Thursday, September 3, 2020 8:46:00 PM EAT

Tilda Swinton said : "Cinema is my happy place, it's my true motherland," External link

dhakatribune Thursday, September 3, 2020 7:06:00 PM EAT

Tilda Swinton said : “This is not the way to go,” External link

guardian Thursday, September 3, 2020 2:45:00 PM EAT

Tilda Swinton added : “We can continue to rely on the great, elastic, wide, wild, bouncy, boundary-less and perpetually inclusive state of cinema,” External link

guardian Thursday, September 3, 2020 2:45:00 PM EAT

Tilda Swinton said : "This great festival has been dear to my heart for three decades: to be honoured by her in this way is extremely humbling," External link

thenational Thursday, September 3, 2020 11:23:00 AM EAT

Tilda Swinton says : "This is a film school of sorts, in which all the teachers are women. An Academy of Venus," External link

arkansasonline Thursday, September 3, 2020 10:14:00 AM EAT

Tilda Swinton said : "Cinema is my happy place, it's my true motherland," External link

abs-cbnnews Thursday, September 3, 2020 6:48:00 AM EAT

Tilda Swinton said : "Cinema is my happy place, it's my true motherland," External link

JakartaPost Thursday, September 3, 2020 6:08:00 AM EAT

Tilda Swinton said : "Cinema is my happy place, it's my true motherland," External link

yahoo-au Wednesday, September 2, 2020 10:47:00 PM EAT

Tilda Swinton said : "Cinema is my happy place, it's my true motherland," External link

afp-en Wednesday, September 2, 2020 10:13:00 PM EAT

Tilda Swinton says : “Your favorite films might not be here. Your favorite directors not might be here. We’re not trying to be comprehensive. In fact, we’ve avoided some of the more famous films,” External link

buffalonews Tuesday, September 1, 2020 9:03:00 PM EAT

Tilda Swinton disse : "há décadas carrega esse grande festival no coração" External link

uol Monday, July 20, 2020 3:09:00 PM EAT

Tilda Swinton dijo : "Me gusta esta sensación de fiesta de verano. Estas son reuniones familiares maravillosas" External link

wsoctv Thursday, May 16, 2019 7:24:00 PM EAT

Tilda Swinton dijo : "Lo que ella está haciendo es tan puro" "Ella empezó a hacer sus propias películas hace 20 años, tras haber hecho películas como asistente de dirección en televisión. Debido a su experiencia en esos filmes, no tenía la seguridad de ser una autora y aun así arrancó a toda marcha" External link

wsoctv Thursday, May 16, 2019 7:24:00 PM EAT

Tilda Swinton estimé : "c'est par les écoles qu'il faut commencer" External link

tv5 Wednesday, May 15, 2019 9:42:00 PM EAT

Tilda Swinton estimé : "c'est par les écoles qu'il faut commencer" External link

la-croix Wednesday, May 15, 2019 9:13:00 PM EAT

Tilda Swinton contou : "Eu o trouxe para o projeto, e ele tem passado um tempo conosco e ensinado todo mundo, se eles n�o sabem, sobre a conscientiza��o e sobre como aquietar a mente" External link

folha Monday, October 31, 2016 4:20:00 PM EAT

Tilda Swinton contou : "Eu o trouxe para o projeto, e ele tem passado um tempo conosco e ensinado todo mundo, se eles não sabem, sobre a conscientização e sobre como aquietar a mente" External link

ogloboglobo Saturday, October 29, 2016 1:57:00 AM EAT



Key Titles and Phrases Count Lang Last Seen
actress70.94%EN11/05/201705/11/2017
director11.97%EN10/03/201703/10/2017
star2.56%EN09/10/201710/09/2017
atriz3.42%PT05/19/201719/05/2017
atriz britânica1.71%PT03/17/201717/03/2017
actor3.42%EN11/15/201615/11/2016
intérprete1.71%PT10/28/201628/10/2016
designer1.71%EN10/25/201625/10/2016
režisérem0.85%CS10/20/201620/10/2016
talentueuse0.85%FR07/25/201625/07/2016
english actress0.85%EN07/07/201607/07/2016
Names Lang Count
Tilda SwintonEN43.31%
Tilda SwintonPT11.14%
Tilda SwintonFR10.90%
Tilda SwintonES3.40%
Tilda SwintonDE3.09%
Tilda SwintonPL3.09%
Tilda SwintonSV3.02%
Tilda SwintonEU3.02%
Tilda SwintonNO3.02%
Tilda SwintonHR3.02%
Tilda SwintonIT3.02%
Tilda SwintonTR3.02%
Tilda SwintonNL3.02%
Тильда СуинтонRU2.40%
Тилда СуинтънBG1.31%
Tildy SwintonPL0.15%
Tilda SwintonCS0.08%
틸다 스윈튼KO0.00%
Katherine Mathilda SwintonEN0.00%
טילדה סווינטוןHE0.00%
ティルダ・スウィントンJA0.00%
Tilda SwintonRO0.00%


 
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AfricaBrief

Tilda Swinton

Last updated on 2017-10-16T18:06+0300.

About this image
License: UNKNOWN

sign

Quotes... Extracted quotes from

Tilda Swinton says : “It’s the bedrock of the film,” External link

independent-UK Wednesday, October 20, 2021 8:59:00 AM EAT

Tilda Swinton says : “Any young kid particularly – or anybody who loves this film – I hope they do use that reading list at the end,” External link

independent-UK Wednesday, October 20, 2021 8:59:00 AM EAT

Tilda Swinton says : “I’ve had the privilege several times in my life of stepping into a frame the signature of which I already know very well—Béla Tarr’s, for example, or Wes Anderson’s or Apichatpong Weerasethakul’s—and it’s a trip. It’s a piece of imaginative work to get over the sense of virtual reality... In Pedro’s case, his colours, his environments, his gestures, his people are so recognisable, so particular, that I found it a special leap of faith to bring myself over the threshold,” External link

news-yahoo Monday, March 15, 2021 9:05:00 AM EAT

Tilda Swinton says : “I haven’t worked in the theatre for over two decades and have no real understanding of or investment in its mechanisms, to be honest. But I never felt the pull of a theatrical context in this film. The entire landscape of the piece is bound up in the atmosphere of a crucial vacuum, a lack of the attention of an audience, the very thing on which theatre relies. Quite to the contrary, this film always felt to me exceptionally related to cinema: its reference to self-reflection and the contained discipline of its life within each frame. In terms of live performance, my sense was more that Pedro was touching the pulse of dance—or even opera or the great art form of the torch song—rather than that of the theatre,” External link

news-yahoo Monday, March 15, 2021 9:05:00 AM EAT

Tilda Swinton recalls : “The first film of Pedro’s I saw was Women on the Verge of a Nervous Breakdown. I remember seeing Women on the Verge of a Nervous Breakdown and feeling this enormous sense of relief. Here was a filmmaker making films about Europe and about people and a milieu that I recognised entirely—and at the same time, a contemporary artist whose reference to the cultural landscape of cinema makes him heir to so many great directors through film history, especially those great masters who have focused their narratives and their atmosphere on the lives and passions of women,” External link

news-yahoo Monday, March 15, 2021 9:05:00 AM EAT

Tilda Swinton says : “I’ve had the privilege several times in my life of stepping into a frame the signature of which I already know very well—Béla Tarr’s, for example, or Wes Anderson’s or Apichatpong Weerasethakul’s—and it’s a trip. It’s a piece of imaginative work to get over the sense of virtual reality... In Pedro’s case, his colours, his environments, his gestures, his people are so recognisable, so particular, that I found it a special leap of faith to bring myself over the threshold,” External link

news-yahoo Sunday, March 14, 2021 7:28:00 PM EAT

Tilda Swinton says : “I haven’t worked in the theatre for over two decades and have no real understanding of or investment in its mechanisms, to be honest. But I never felt the pull of a theatrical context in this film. The entire landscape of the piece is bound up in the atmosphere of a crucial vacuum, a lack of the attention of an audience, the very thing on which theatre relies. Quite to the contrary, this film always felt to me exceptionally related to cinema: its reference to self-reflection and the contained discipline of its life within each frame. In terms of live performance, my sense was more that Pedro was touching the pulse of dance—or even opera or the great art form of the torch song—rather than that of the theatre,” External link

news-yahoo Sunday, March 14, 2021 7:28:00 PM EAT

Tilda Swinton recalls : “The first film of Pedro’s I saw was Women on the Verge of a Nervous Breakdown. I remember seeing Women on the Verge of a Nervous Breakdown and feeling this enormous sense of relief. Here was a filmmaker making films about Europe and about people and a milieu that I recognised entirely—and at the same time, a contemporary artist whose reference to the cultural landscape of cinema makes him heir to so many great directors through film history, especially those great masters who have focused their narratives and their atmosphere on the lives and passions of women,” External link

news-yahoo Sunday, March 14, 2021 7:28:00 PM EAT

Tilda Swinton says : “I’ve had the privilege several times in my life of stepping into a frame the signature of which I already know very well—Béla Tarr’s, for example, or Wes Anderson’s or Apichatpong Weerasethakul’s—and it’s a trip. It’s a piece of imaginative work to get over the sense of virtual reality... In Pedro’s case, his colours, his environments, his gestures, his people are so recognisable, so particular, that I found it a special leap of faith to bring myself over the threshold,” External link

thedailybeast Sunday, March 14, 2021 5:17:00 PM EAT

Tilda Swinton says : “I haven’t worked in the theatre for over two decades and have no real understanding of or investment in its mechanisms, to be honest. But I never felt the pull of a theatrical context in this film. The entire landscape of the piece is bound up in the atmosphere of a crucial vacuum, a lack of the attention of an audience, the very thing on which theatre relies. Quite to the contrary, this film always felt to me exceptionally related to cinema: its reference to self-reflection and the contained discipline of its life within each frame. In terms of live performance, my sense was more that Pedro was touching the pulse of dance—or even opera or the great art form of the torch song—rather than that of the theatre,” External link

thedailybeast Sunday, March 14, 2021 5:17:00 PM EAT

Tilda Swinton recalls : “The first film of Pedro’s I saw was Women on the Verge of a Nervous Breakdown . I remember seeing Women on the Verge of a Nervous Breakdown and feeling this enormous sense of relief. Here was a filmmaker making films about Europe and about people and a milieu that I recognised entirely—and at the same time, a contemporary artist whose reference to the cultural landscape of cinema makes him heir to so many great directors through film history, especially those great masters who have focused their narratives and their atmosphere on the lives and passions of women,” “Pedro was putting onto a global screen a sensibility and a vernacular which was close to the underground world I was living in with Derek Jarman in London in the ’80s and early ’90s. He was always our Spanish cousin, very dear and greatly cherished as a fellow traveller with brilliant moves” External link

thedailybeast Sunday, March 14, 2021 5:17:00 PM EAT

Tilda Swinton says : “I’ve had the privilege several times in my life of stepping into a frame the signature of which I already know very well—Béla Tarr’s, for example, or Wes Anderson’s or Apichatpong Weerasethakul’s—and it’s a trip. It’s a piece of imaginative work to get over the sense of virtual reality... In Pedro’s case, his colours, his environments, his gestures, his people are so recognisable, so particular, that I found it a special leap of faith to bring myself over the threshold,” External link

news-yahoo Sunday, March 14, 2021 5:14:00 PM EAT

Tilda Swinton says : “I haven’t worked in the theatre for over two decades and have no real understanding of or investment in its mechanisms, to be honest. But I never felt the pull of a theatrical context in this film. The entire landscape of the piece is bound up in the atmosphere of a crucial vacuum, a lack of the attention of an audience, the very thing on which theatre relies. Quite to the contrary, this film always felt to me exceptionally related to cinema: its reference to self-reflection and the contained discipline of its life within each frame. In terms of live performance, my sense was more that Pedro was touching the pulse of dance—or even opera or the great art form of the torch song—rather than that of the theatre,” External link

news-yahoo Sunday, March 14, 2021 5:14:00 PM EAT

Tilda Swinton recalls : “The first film of Pedro’s I saw was Women on the Verge of a Nervous Breakdown. I remember seeing Women on the Verge of a Nervous Breakdown and feeling this enormous sense of relief. Here was a filmmaker making films about Europe and about people and a milieu that I recognised entirely—and at the same time, a contemporary artist whose reference to the cultural landscape of cinema makes him heir to so many great directors through film history, especially those great masters who have focused their narratives and their atmosphere on the lives and passions of women,” External link

news-yahoo Sunday, March 14, 2021 5:14:00 PM EAT

Tilda Swinton says : “I’ve had the privilege several times in my life of stepping into a frame the signature of which I already know very well—Béla Tarr’s, for example, or Wes Anderson’s or Apichatpong Weerasethakul’s—and it’s a trip. It’s a piece of imaginative work to get over the sense of virtual reality... In Pedro’s case, his colours, his environments, his gestures, his people are so recognisable, so particular, that I found it a special leap of faith to bring myself over the threshold,” External link

news-yahoo Sunday, March 14, 2021 5:14:00 PM EAT

Tilda Swinton says : “I haven’t worked in the theatre for over two decades and have no real understanding of or investment in its mechanisms, to be honest. But I never felt the pull of a theatrical context in this film. The entire landscape of the piece is bound up in the atmosphere of a crucial vacuum, a lack of the attention of an audience, the very thing on which theatre relies. Quite to the contrary, this film always felt to me exceptionally related to cinema: its reference to self-reflection and the contained discipline of its life within each frame. In terms of live performance, my sense was more that Pedro was touching the pulse of dance—or even opera or the great art form of the torch song—rather than that of the theatre,” External link

news-yahoo Sunday, March 14, 2021 5:14:00 PM EAT

Tilda Swinton recalls : “The first film of Pedro’s I saw was Women on the Verge of a Nervous Breakdown. I remember seeing Women on the Verge of a Nervous Breakdown and feeling this enormous sense of relief. Here was a filmmaker making films about Europe and about people and a milieu that I recognised entirely—and at the same time, a contemporary artist whose reference to the cultural landscape of cinema makes him heir to so many great directors through film history, especially those great masters who have focused their narratives and their atmosphere on the lives and passions of women,” External link

news-yahoo Sunday, March 14, 2021 5:14:00 PM EAT

Tilda Swinton told : "I was just looking for my queer circus, and I found it. I'm very clear that queer is actually, for me anyway, to do with sensibility. And having found it, it's my world," External link

HindustanTimes Wednesday, January 20, 2021 5:44:00 PM EAT

Tilda Swinton told : “I was just looking for my queer circus, and I found it. I’m very clear that queer is actually, for me anyway, to do with sensibility. And having found it, it’s my world,” External link

news18 Wednesday, January 13, 2021 3:09:00 PM EAT

Tilda Swinton wrote : “Fiercely familial, gloriously silly, unfailingly kind. Diamond,” External link

forbes Tuesday, September 29, 2020 11:24:00 PM EAT

Tilda Swinton said : "Cinema is my happy place, it's my true motherland," External link

modernghana Thursday, September 3, 2020 8:46:00 PM EAT

Tilda Swinton said : "Cinema is my happy place, it's my true motherland," External link

dhakatribune Thursday, September 3, 2020 7:06:00 PM EAT

Tilda Swinton said : “This is not the way to go,” External link

guardian Thursday, September 3, 2020 2:45:00 PM EAT

Tilda Swinton added : “We can continue to rely on the great, elastic, wide, wild, bouncy, boundary-less and perpetually inclusive state of cinema,” External link

guardian Thursday, September 3, 2020 2:45:00 PM EAT

Tilda Swinton said : "This great festival has been dear to my heart for three decades: to be honoured by her in this way is extremely humbling," External link

thenational Thursday, September 3, 2020 11:23:00 AM EAT

Tilda Swinton says : "This is a film school of sorts, in which all the teachers are women. An Academy of Venus," External link

arkansasonline Thursday, September 3, 2020 10:14:00 AM EAT

Tilda Swinton said : "Cinema is my happy place, it's my true motherland," External link

abs-cbnnews Thursday, September 3, 2020 6:48:00 AM EAT

Tilda Swinton said : "Cinema is my happy place, it's my true motherland," External link

JakartaPost Thursday, September 3, 2020 6:08:00 AM EAT

Tilda Swinton said : "Cinema is my happy place, it's my true motherland," External link

yahoo-au Wednesday, September 2, 2020 10:47:00 PM EAT

Tilda Swinton said : "Cinema is my happy place, it's my true motherland," External link

afp-en Wednesday, September 2, 2020 10:13:00 PM EAT

Tilda Swinton says : “Your favorite films might not be here. Your favorite directors not might be here. We’re not trying to be comprehensive. In fact, we’ve avoided some of the more famous films,” External link

buffalonews Tuesday, September 1, 2020 9:03:00 PM EAT

Tilda Swinton disse : "há décadas carrega esse grande festival no coração" External link

uol Monday, July 20, 2020 3:09:00 PM EAT

Tilda Swinton dijo : "Me gusta esta sensación de fiesta de verano. Estas son reuniones familiares maravillosas" External link

wsoctv Thursday, May 16, 2019 7:24:00 PM EAT

Tilda Swinton dijo : "Lo que ella está haciendo es tan puro" "Ella empezó a hacer sus propias películas hace 20 años, tras haber hecho películas como asistente de dirección en televisión. Debido a su experiencia en esos filmes, no tenía la seguridad de ser una autora y aun así arrancó a toda marcha" External link

wsoctv Thursday, May 16, 2019 7:24:00 PM EAT

Tilda Swinton estimé : "c'est par les écoles qu'il faut commencer" External link

tv5 Wednesday, May 15, 2019 9:42:00 PM EAT

Tilda Swinton estimé : "c'est par les écoles qu'il faut commencer" External link

la-croix Wednesday, May 15, 2019 9:13:00 PM EAT

Tilda Swinton contou : "Eu o trouxe para o projeto, e ele tem passado um tempo conosco e ensinado todo mundo, se eles n�o sabem, sobre a conscientiza��o e sobre como aquietar a mente" External link

folha Monday, October 31, 2016 4:20:00 PM EAT

Tilda Swinton contou : "Eu o trouxe para o projeto, e ele tem passado um tempo conosco e ensinado todo mundo, se eles não sabem, sobre a conscientização e sobre como aquietar a mente" External link

ogloboglobo Saturday, October 29, 2016 1:57:00 AM EAT



Key Titles and Phrases Count Lang Last Seen
actress70.94%EN11/05/201705/11/2017
director11.97%EN10/03/201703/10/2017
star2.56%EN09/10/201710/09/2017
atriz3.42%PT05/19/201719/05/2017
atriz britânica1.71%PT03/17/201717/03/2017
actor3.42%EN11/15/201615/11/2016
intérprete1.71%PT10/28/201628/10/2016
designer1.71%EN10/25/201625/10/2016
režisérem0.85%CS10/20/201620/10/2016
talentueuse0.85%FR07/25/201625/07/2016
english actress0.85%EN07/07/201607/07/2016
Names Lang Count
Tilda SwintonEN43.31%
Tilda SwintonPT11.14%
Tilda SwintonFR10.90%
Tilda SwintonES3.40%
Tilda SwintonDE3.09%
Tilda SwintonPL3.09%
Tilda SwintonSV3.02%
Tilda SwintonEU3.02%
Tilda SwintonNO3.02%
Tilda SwintonHR3.02%
Tilda SwintonIT3.02%
Tilda SwintonTR3.02%
Tilda SwintonNL3.02%
Тильда СуинтонRU2.40%
Тилда СуинтънBG1.31%
Tildy SwintonPL0.15%
Tilda SwintonCS0.08%
틸다 스윈튼KO0.00%
Katherine Mathilda SwintonEN0.00%
טילדה סווינטוןHE0.00%
ティルダ・スウィントンJA0.00%
Tilda SwintonRO0.00%


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