Tilda Swinton says : “I’ve had the privilege several times in my life of stepping into a frame the signature of which I already know very well—Béla Tarr’s, for example, or Wes Anderson’s or Apichatpong Weerasethakul’s—and it’s a trip. It’s a piece of imaginative work to get over the sense of virtual reality... In Pedro’s case, his colours, his environments, his gestures, his people are so recognisable, so particular, that I found it a special leap of faith to bring myself over the threshold,”

news-yahoo Monday, March 15, 2021 9:05:00 AM EAT

Tilda Swinton says : “I haven’t worked in the theatre for over two decades and have no real understanding of or investment in its mechanisms, to be honest. But I never felt the pull of a theatrical context in this film. The entire landscape of the piece is bound up in the atmosphere of a crucial vacuum, a lack of the attention of an audience, the very thing on which theatre relies. Quite to the contrary, this film always felt to me exceptionally related to cinema: its reference to self-reflection and the contained discipline of its life within each frame. In terms of live performance, my sense was more that Pedro was touching the pulse of dance—or even opera or the great art form of the torch song—rather than that of the theatre,”

news-yahoo Monday, March 15, 2021 9:05:00 AM EAT

Tilda Swinton recalls : “The first film of Pedro’s I saw was Women on the Verge of a Nervous Breakdown. I remember seeing Women on the Verge of a Nervous Breakdown and feeling this enormous sense of relief. Here was a filmmaker making films about Europe and about people and a milieu that I recognised entirely—and at the same time, a contemporary artist whose reference to the cultural landscape of cinema makes him heir to so many great directors through film history, especially those great masters who have focused their narratives and their atmosphere on the lives and passions of women,”

news-yahoo Monday, March 15, 2021 9:05:00 AM EAT

Tilda Swinton says : “I’ve had the privilege several times in my life of stepping into a frame the signature of which I already know very well—Béla Tarr’s, for example, or Wes Anderson’s or Apichatpong Weerasethakul’s—and it’s a trip. It’s a piece of imaginative work to get over the sense of virtual reality... In Pedro’s case, his colours, his environments, his gestures, his people are so recognisable, so particular, that I found it a special leap of faith to bring myself over the threshold,”

news-yahoo Sunday, March 14, 2021 7:28:00 PM EAT

Tilda Swinton says : “I haven’t worked in the theatre for over two decades and have no real understanding of or investment in its mechanisms, to be honest. But I never felt the pull of a theatrical context in this film. The entire landscape of the piece is bound up in the atmosphere of a crucial vacuum, a lack of the attention of an audience, the very thing on which theatre relies. Quite to the contrary, this film always felt to me exceptionally related to cinema: its reference to self-reflection and the contained discipline of its life within each frame. In terms of live performance, my sense was more that Pedro was touching the pulse of dance—or even opera or the great art form of the torch song—rather than that of the theatre,”

news-yahoo Sunday, March 14, 2021 7:28:00 PM EAT

Tilda Swinton recalls : “The first film of Pedro’s I saw was Women on the Verge of a Nervous Breakdown. I remember seeing Women on the Verge of a Nervous Breakdown and feeling this enormous sense of relief. Here was a filmmaker making films about Europe and about people and a milieu that I recognised entirely—and at the same time, a contemporary artist whose reference to the cultural landscape of cinema makes him heir to so many great directors through film history, especially those great masters who have focused their narratives and their atmosphere on the lives and passions of women,”

news-yahoo Sunday, March 14, 2021 7:28:00 PM EAT

Tilda Swinton says : “I’ve had the privilege several times in my life of stepping into a frame the signature of which I already know very well—Béla Tarr’s, for example, or Wes Anderson’s or Apichatpong Weerasethakul’s—and it’s a trip. It’s a piece of imaginative work to get over the sense of virtual reality... In Pedro’s case, his colours, his environments, his gestures, his people are so recognisable, so particular, that I found it a special leap of faith to bring myself over the threshold,”

thedailybeast Sunday, March 14, 2021 5:17:00 PM EAT

Tilda Swinton says : “I haven’t worked in the theatre for over two decades and have no real understanding of or investment in its mechanisms, to be honest. But I never felt the pull of a theatrical context in this film. The entire landscape of the piece is bound up in the atmosphere of a crucial vacuum, a lack of the attention of an audience, the very thing on which theatre relies. Quite to the contrary, this film always felt to me exceptionally related to cinema: its reference to self-reflection and the contained discipline of its life within each frame. In terms of live performance, my sense was more that Pedro was touching the pulse of dance—or even opera or the great art form of the torch song—rather than that of the theatre,”

thedailybeast Sunday, March 14, 2021 5:17:00 PM EAT

Tilda Swinton recalls : “The first film of Pedro’s I saw was Women on the Verge of a Nervous Breakdown . I remember seeing Women on the Verge of a Nervous Breakdown and feeling this enormous sense of relief. Here was a filmmaker making films about Europe and about people and a milieu that I recognised entirely—and at the same time, a contemporary artist whose reference to the cultural landscape of cinema makes him heir to so many great directors through film history, especially those great masters who have focused their narratives and their atmosphere on the lives and passions of women,” “Pedro was putting onto a global screen a sensibility and a vernacular which was close to the underground world I was living in with Derek Jarman in London in the ’80s and early ’90s. He was always our Spanish cousin, very dear and greatly cherished as a fellow traveller with brilliant moves”

thedailybeast Sunday, March 14, 2021 5:17:00 PM EAT

Tilda Swinton says : “I’ve had the privilege several times in my life of stepping into a frame the signature of which I already know very well—Béla Tarr’s, for example, or Wes Anderson’s or Apichatpong Weerasethakul’s—and it’s a trip. It’s a piece of imaginative work to get over the sense of virtual reality... In Pedro’s case, his colours, his environments, his gestures, his people are so recognisable, so particular, that I found it a special leap of faith to bring myself over the threshold,”

news-yahoo Sunday, March 14, 2021 5:14:00 PM EAT

Tilda Swinton says : “I haven’t worked in the theatre for over two decades and have no real understanding of or investment in its mechanisms, to be honest. But I never felt the pull of a theatrical context in this film. The entire landscape of the piece is bound up in the atmosphere of a crucial vacuum, a lack of the attention of an audience, the very thing on which theatre relies. Quite to the contrary, this film always felt to me exceptionally related to cinema: its reference to self-reflection and the contained discipline of its life within each frame. In terms of live performance, my sense was more that Pedro was touching the pulse of dance—or even opera or the great art form of the torch song—rather than that of the theatre,”

news-yahoo Sunday, March 14, 2021 5:14:00 PM EAT

Tilda Swinton recalls : “The first film of Pedro’s I saw was Women on the Verge of a Nervous Breakdown. I remember seeing Women on the Verge of a Nervous Breakdown and feeling this enormous sense of relief. Here was a filmmaker making films about Europe and about people and a milieu that I recognised entirely—and at the same time, a contemporary artist whose reference to the cultural landscape of cinema makes him heir to so many great directors through film history, especially those great masters who have focused their narratives and their atmosphere on the lives and passions of women,”

news-yahoo Sunday, March 14, 2021 5:14:00 PM EAT

Tilda Swinton says : “I’ve had the privilege several times in my life of stepping into a frame the signature of which I already know very well—Béla Tarr’s, for example, or Wes Anderson’s or Apichatpong Weerasethakul’s—and it’s a trip. It’s a piece of imaginative work to get over the sense of virtual reality... In Pedro’s case, his colours, his environments, his gestures, his people are so recognisable, so particular, that I found it a special leap of faith to bring myself over the threshold,”

news-yahoo Sunday, March 14, 2021 5:14:00 PM EAT

Tilda Swinton says : “I haven’t worked in the theatre for over two decades and have no real understanding of or investment in its mechanisms, to be honest. But I never felt the pull of a theatrical context in this film. The entire landscape of the piece is bound up in the atmosphere of a crucial vacuum, a lack of the attention of an audience, the very thing on which theatre relies. Quite to the contrary, this film always felt to me exceptionally related to cinema: its reference to self-reflection and the contained discipline of its life within each frame. In terms of live performance, my sense was more that Pedro was touching the pulse of dance—or even opera or the great art form of the torch song—rather than that of the theatre,”

news-yahoo Sunday, March 14, 2021 5:14:00 PM EAT

Tilda Swinton recalls : “The first film of Pedro’s I saw was Women on the Verge of a Nervous Breakdown. I remember seeing Women on the Verge of a Nervous Breakdown and feeling this enormous sense of relief. Here was a filmmaker making films about Europe and about people and a milieu that I recognised entirely—and at the same time, a contemporary artist whose reference to the cultural landscape of cinema makes him heir to so many great directors through film history, especially those great masters who have focused their narratives and their atmosphere on the lives and passions of women,”

news-yahoo Sunday, March 14, 2021 5:14:00 PM EAT

Tilda Swinton told : "I was just looking for my queer circus, and I found it. I'm very clear that queer is actually, for me anyway, to do with sensibility. And having found it, it's my world,"

HindustanTimes Wednesday, January 20, 2021 5:44:00 PM EAT

Tilda Swinton told : “I was just looking for my queer circus, and I found it. I’m very clear that queer is actually, for me anyway, to do with sensibility. And having found it, it’s my world,”

news18 Wednesday, January 13, 2021 3:09:00 PM EAT

Tilda Swinton wrote : “Fiercely familial, gloriously silly, unfailingly kind. Diamond,”

forbes Tuesday, September 29, 2020 11:24:00 PM EAT

Tilda Swinton said : "Cinema is my happy place, it's my true motherland,"

modernghana Thursday, September 3, 2020 8:46:00 PM EAT

Tilda Swinton said : "Cinema is my happy place, it's my true motherland,"

dhakatribune Thursday, September 3, 2020 7:06:00 PM EAT

Tilda Swinton said : “This is not the way to go,”

guardian Thursday, September 3, 2020 2:45:00 PM EAT

Tilda Swinton added : “We can continue to rely on the great, elastic, wide, wild, bouncy, boundary-less and perpetually inclusive state of cinema,”

guardian Thursday, September 3, 2020 2:45:00 PM EAT

Tilda Swinton said : "This great festival has been dear to my heart for three decades: to be honoured by her in this way is extremely humbling,"

thenational Thursday, September 3, 2020 11:23:00 AM EAT

Tilda Swinton says : "This is a film school of sorts, in which all the teachers are women. An Academy of Venus,"

arkansasonline Thursday, September 3, 2020 10:14:00 AM EAT

Tilda Swinton said : "Cinema is my happy place, it's my true motherland,"

abs-cbnnews Thursday, September 3, 2020 6:48:00 AM EAT

Tilda Swinton said : "Cinema is my happy place, it's my true motherland,"

JakartaPost Thursday, September 3, 2020 6:08:00 AM EAT

Tilda Swinton said : "Cinema is my happy place, it's my true motherland,"

yahoo-au Wednesday, September 2, 2020 10:47:00 PM EAT

Tilda Swinton said : "Cinema is my happy place, it's my true motherland,"

afp-en Wednesday, September 2, 2020 10:13:00 PM EAT

Tilda Swinton says : “Your favorite films might not be here. Your favorite directors not might be here. We’re not trying to be comprehensive. In fact, we’ve avoided some of the more famous films,”

buffalonews Tuesday, September 1, 2020 9:03:00 PM EAT

Tilda Swinton said : "This great festival has been dear to my heart for three decades: to be honoured by her in this way is extremely humbling,"

ibtimes-uk Tuesday, July 21, 2020 12:42:00 PM EAT

Tilda Swinton said : “To come to Venice, this year of all years, to celebrate immortal cinema and her defiant survival in the face of all the challenges that evolution might throw at her – as at us all – will be my sincere joy,”

laht Tuesday, July 21, 2020 4:19:00 AM EAT

Tilda Swinton disse : "há décadas carrega esse grande festival no coração"

uol Monday, July 20, 2020 3:09:00 PM EAT

Tilda Swinton dijo : "Me gusta esta sensación de fiesta de verano. Estas son reuniones familiares maravillosas"

wsoctv Thursday, May 16, 2019 7:24:00 PM EAT

Tilda Swinton dijo : "Lo que ella está haciendo es tan puro" "Ella empezó a hacer sus propias películas hace 20 años, tras haber hecho películas como asistente de dirección en televisión. Debido a su experiencia en esos filmes, no tenía la seguridad de ser una autora y aun así arrancó a toda marcha"

wsoctv Thursday, May 16, 2019 7:24:00 PM EAT

Tilda Swinton estimé : "c'est par les écoles qu'il faut commencer"

tv5 Wednesday, May 15, 2019 9:42:00 PM EAT

Tilda Swinton estimé : "c'est par les écoles qu'il faut commencer"

la-croix Wednesday, May 15, 2019 9:13:00 PM EAT

Tilda Swinton contou : "Eu o trouxe para o projeto, e ele tem passado um tempo conosco e ensinado todo mundo, se eles n�o sabem, sobre a conscientiza��o e sobre como aquietar a mente"

folha Monday, October 31, 2016 4:20:00 PM EAT

Tilda Swinton contou : "Eu o trouxe para o projeto, e ele tem passado um tempo conosco e ensinado todo mundo, se eles não sabem, sobre a conscientização e sobre como aquietar a mente"

ogloboglobo Saturday, October 29, 2016 1:57:00 AM EAT

Tilda Swinton says : “I’ve had the privilege several times in my life of stepping into a frame the signature of which I already know very well—Béla Tarr’s, for example, or Wes Anderson’s or Apichatpong Weerasethakul’s—and it’s a trip. It’s a piece of imaginative work to get over the sense of virtual reality... In Pedro’s case, his colours, his environments, his gestures, his people are so recognisable, so particular, that I found it a special leap of faith to bring myself over the threshold,”

news-yahoo Monday, March 15, 2021 9:05:00 AM EAT

Tilda Swinton says : “I haven’t worked in the theatre for over two decades and have no real understanding of or investment in its mechanisms, to be honest. But I never felt the pull of a theatrical context in this film. The entire landscape of the piece is bound up in the atmosphere of a crucial vacuum, a lack of the attention of an audience, the very thing on which theatre relies. Quite to the contrary, this film always felt to me exceptionally related to cinema: its reference to self-reflection and the contained discipline of its life within each frame. In terms of live performance, my sense was more that Pedro was touching the pulse of dance—or even opera or the great art form of the torch song—rather than that of the theatre,”

news-yahoo Monday, March 15, 2021 9:05:00 AM EAT

Tilda Swinton recalls : “The first film of Pedro’s I saw was Women on the Verge of a Nervous Breakdown. I remember seeing Women on the Verge of a Nervous Breakdown and feeling this enormous sense of relief. Here was a filmmaker making films about Europe and about people and a milieu that I recognised entirely—and at the same time, a contemporary artist whose reference to the cultural landscape of cinema makes him heir to so many great directors through film history, especially those great masters who have focused their narratives and their atmosphere on the lives and passions of women,”

news-yahoo Monday, March 15, 2021 9:05:00 AM EAT

Tilda Swinton says : “I’ve had the privilege several times in my life of stepping into a frame the signature of which I already know very well—Béla Tarr’s, for example, or Wes Anderson’s or Apichatpong Weerasethakul’s—and it’s a trip. It’s a piece of imaginative work to get over the sense of virtual reality... In Pedro’s case, his colours, his environments, his gestures, his people are so recognisable, so particular, that I found it a special leap of faith to bring myself over the threshold,”

news-yahoo Sunday, March 14, 2021 7:28:00 PM EAT

Tilda Swinton says : “I haven’t worked in the theatre for over two decades and have no real understanding of or investment in its mechanisms, to be honest. But I never felt the pull of a theatrical context in this film. The entire landscape of the piece is bound up in the atmosphere of a crucial vacuum, a lack of the attention of an audience, the very thing on which theatre relies. Quite to the contrary, this film always felt to me exceptionally related to cinema: its reference to self-reflection and the contained discipline of its life within each frame. In terms of live performance, my sense was more that Pedro was touching the pulse of dance—or even opera or the great art form of the torch song—rather than that of the theatre,”

news-yahoo Sunday, March 14, 2021 7:28:00 PM EAT

Tilda Swinton recalls : “The first film of Pedro’s I saw was Women on the Verge of a Nervous Breakdown. I remember seeing Women on the Verge of a Nervous Breakdown and feeling this enormous sense of relief. Here was a filmmaker making films about Europe and about people and a milieu that I recognised entirely—and at the same time, a contemporary artist whose reference to the cultural landscape of cinema makes him heir to so many great directors through film history, especially those great masters who have focused their narratives and their atmosphere on the lives and passions of women,”

news-yahoo Sunday, March 14, 2021 7:28:00 PM EAT

Tilda Swinton says : “I’ve had the privilege several times in my life of stepping into a frame the signature of which I already know very well—Béla Tarr’s, for example, or Wes Anderson’s or Apichatpong Weerasethakul’s—and it’s a trip. It’s a piece of imaginative work to get over the sense of virtual reality... In Pedro’s case, his colours, his environments, his gestures, his people are so recognisable, so particular, that I found it a special leap of faith to bring myself over the threshold,”

thedailybeast Sunday, March 14, 2021 5:17:00 PM EAT

Tilda Swinton says : “I haven’t worked in the theatre for over two decades and have no real understanding of or investment in its mechanisms, to be honest. But I never felt the pull of a theatrical context in this film. The entire landscape of the piece is bound up in the atmosphere of a crucial vacuum, a lack of the attention of an audience, the very thing on which theatre relies. Quite to the contrary, this film always felt to me exceptionally related to cinema: its reference to self-reflection and the contained discipline of its life within each frame. In terms of live performance, my sense was more that Pedro was touching the pulse of dance—or even opera or the great art form of the torch song—rather than that of the theatre,”

thedailybeast Sunday, March 14, 2021 5:17:00 PM EAT

Tilda Swinton recalls : “The first film of Pedro’s I saw was Women on the Verge of a Nervous Breakdown . I remember seeing Women on the Verge of a Nervous Breakdown and feeling this enormous sense of relief. Here was a filmmaker making films about Europe and about people and a milieu that I recognised entirely—and at the same time, a contemporary artist whose reference to the cultural landscape of cinema makes him heir to so many great directors through film history, especially those great masters who have focused their narratives and their atmosphere on the lives and passions of women,” “Pedro was putting onto a global screen a sensibility and a vernacular which was close to the underground world I was living in with Derek Jarman in London in the ’80s and early ’90s. He was always our Spanish cousin, very dear and greatly cherished as a fellow traveller with brilliant moves”

thedailybeast Sunday, March 14, 2021 5:17:00 PM EAT

Tilda Swinton says : “I’ve had the privilege several times in my life of stepping into a frame the signature of which I already know very well—Béla Tarr’s, for example, or Wes Anderson’s or Apichatpong Weerasethakul’s—and it’s a trip. It’s a piece of imaginative work to get over the sense of virtual reality... In Pedro’s case, his colours, his environments, his gestures, his people are so recognisable, so particular, that I found it a special leap of faith to bring myself over the threshold,”

news-yahoo Sunday, March 14, 2021 5:14:00 PM EAT

Tilda Swinton says : “I haven’t worked in the theatre for over two decades and have no real understanding of or investment in its mechanisms, to be honest. But I never felt the pull of a theatrical context in this film. The entire landscape of the piece is bound up in the atmosphere of a crucial vacuum, a lack of the attention of an audience, the very thing on which theatre relies. Quite to the contrary, this film always felt to me exceptionally related to cinema: its reference to self-reflection and the contained discipline of its life within each frame. In terms of live performance, my sense was more that Pedro was touching the pulse of dance—or even opera or the great art form of the torch song—rather than that of the theatre,”

news-yahoo Sunday, March 14, 2021 5:14:00 PM EAT

Tilda Swinton recalls : “The first film of Pedro’s I saw was Women on the Verge of a Nervous Breakdown. I remember seeing Women on the Verge of a Nervous Breakdown and feeling this enormous sense of relief. Here was a filmmaker making films about Europe and about people and a milieu that I recognised entirely—and at the same time, a contemporary artist whose reference to the cultural landscape of cinema makes him heir to so many great directors through film history, especially those great masters who have focused their narratives and their atmosphere on the lives and passions of women,”

news-yahoo Sunday, March 14, 2021 5:14:00 PM EAT

Tilda Swinton says : “I’ve had the privilege several times in my life of stepping into a frame the signature of which I already know very well—Béla Tarr’s, for example, or Wes Anderson’s or Apichatpong Weerasethakul’s—and it’s a trip. It’s a piece of imaginative work to get over the sense of virtual reality... In Pedro’s case, his colours, his environments, his gestures, his people are so recognisable, so particular, that I found it a special leap of faith to bring myself over the threshold,”

news-yahoo Sunday, March 14, 2021 5:14:00 PM EAT

Tilda Swinton says : “I haven’t worked in the theatre for over two decades and have no real understanding of or investment in its mechanisms, to be honest. But I never felt the pull of a theatrical context in this film. The entire landscape of the piece is bound up in the atmosphere of a crucial vacuum, a lack of the attention of an audience, the very thing on which theatre relies. Quite to the contrary, this film always felt to me exceptionally related to cinema: its reference to self-reflection and the contained discipline of its life within each frame. In terms of live performance, my sense was more that Pedro was touching the pulse of dance—or even opera or the great art form of the torch song—rather than that of the theatre,”

news-yahoo Sunday, March 14, 2021 5:14:00 PM EAT

Tilda Swinton recalls : “The first film of Pedro’s I saw was Women on the Verge of a Nervous Breakdown. I remember seeing Women on the Verge of a Nervous Breakdown and feeling this enormous sense of relief. Here was a filmmaker making films about Europe and about people and a milieu that I recognised entirely—and at the same time, a contemporary artist whose reference to the cultural landscape of cinema makes him heir to so many great directors through film history, especially those great masters who have focused their narratives and their atmosphere on the lives and passions of women,”

news-yahoo Sunday, March 14, 2021 5:14:00 PM EAT

Tilda Swinton told : "I was just looking for my queer circus, and I found it. I'm very clear that queer is actually, for me anyway, to do with sensibility. And having found it, it's my world,"

HindustanTimes Wednesday, January 20, 2021 5:44:00 PM EAT

Tilda Swinton told : “I was just looking for my queer circus, and I found it. I’m very clear that queer is actually, for me anyway, to do with sensibility. And having found it, it’s my world,”

news18 Wednesday, January 13, 2021 3:09:00 PM EAT

Tilda Swinton wrote : “Fiercely familial, gloriously silly, unfailingly kind. Diamond,”

forbes Tuesday, September 29, 2020 11:24:00 PM EAT

Tilda Swinton said : "Cinema is my happy place, it's my true motherland,"

modernghana Thursday, September 3, 2020 8:46:00 PM EAT

Tilda Swinton said : "Cinema is my happy place, it's my true motherland,"

dhakatribune Thursday, September 3, 2020 7:06:00 PM EAT

Tilda Swinton said : “This is not the way to go,”

guardian Thursday, September 3, 2020 2:45:00 PM EAT

Tilda Swinton added : “We can continue to rely on the great, elastic, wide, wild, bouncy, boundary-less and perpetually inclusive state of cinema,”

guardian Thursday, September 3, 2020 2:45:00 PM EAT

Tilda Swinton said : "This great festival has been dear to my heart for three decades: to be honoured by her in this way is extremely humbling,"

thenational Thursday, September 3, 2020 11:23:00 AM EAT

Tilda Swinton says : "This is a film school of sorts, in which all the teachers are women. An Academy of Venus,"

arkansasonline Thursday, September 3, 2020 10:14:00 AM EAT

Tilda Swinton said : "Cinema is my happy place, it's my true motherland,"

abs-cbnnews Thursday, September 3, 2020 6:48:00 AM EAT

Tilda Swinton said : "Cinema is my happy place, it's my true motherland,"

JakartaPost Thursday, September 3, 2020 6:08:00 AM EAT

Tilda Swinton said : "Cinema is my happy place, it's my true motherland,"

yahoo-au Wednesday, September 2, 2020 10:47:00 PM EAT

Tilda Swinton said : "Cinema is my happy place, it's my true motherland,"

afp-en Wednesday, September 2, 2020 10:13:00 PM EAT

Tilda Swinton says : “Your favorite films might not be here. Your favorite directors not might be here. We’re not trying to be comprehensive. In fact, we’ve avoided some of the more famous films,”

buffalonews Tuesday, September 1, 2020 9:03:00 PM EAT

Tilda Swinton said : "This great festival has been dear to my heart for three decades: to be honoured by her in this way is extremely humbling,"

ibtimes-uk Tuesday, July 21, 2020 12:42:00 PM EAT

Tilda Swinton said : “To come to Venice, this year of all years, to celebrate immortal cinema and her defiant survival in the face of all the challenges that evolution might throw at her – as at us all – will be my sincere joy,”

laht Tuesday, July 21, 2020 4:19:00 AM EAT

Tilda Swinton disse : "há décadas carrega esse grande festival no coração"

uol Monday, July 20, 2020 3:09:00 PM EAT

Tilda Swinton dijo : "Me gusta esta sensación de fiesta de verano. Estas son reuniones familiares maravillosas"

wsoctv Thursday, May 16, 2019 7:24:00 PM EAT

Tilda Swinton dijo : "Lo que ella está haciendo es tan puro" "Ella empezó a hacer sus propias películas hace 20 años, tras haber hecho películas como asistente de dirección en televisión. Debido a su experiencia en esos filmes, no tenía la seguridad de ser una autora y aun así arrancó a toda marcha"

wsoctv Thursday, May 16, 2019 7:24:00 PM EAT

Tilda Swinton estimé : "c'est par les écoles qu'il faut commencer"

tv5 Wednesday, May 15, 2019 9:42:00 PM EAT

Tilda Swinton estimé : "c'est par les écoles qu'il faut commencer"

la-croix Wednesday, May 15, 2019 9:13:00 PM EAT

Tilda Swinton contou : "Eu o trouxe para o projeto, e ele tem passado um tempo conosco e ensinado todo mundo, se eles n�o sabem, sobre a conscientiza��o e sobre como aquietar a mente"

folha Monday, October 31, 2016 4:20:00 PM EAT

Tilda Swinton contou : "Eu o trouxe para o projeto, e ele tem passado um tempo conosco e ensinado todo mundo, se eles não sabem, sobre a conscientização e sobre como aquietar a mente"

ogloboglobo Saturday, October 29, 2016 1:57:00 AM EAT